In terms of removing backgrounds, we could use those selections to remove skies, make precise masks of hair, remove a white background etc. We can select very precise areas of darks, midtones, and highlights. Luminosity masks allow us to select various areas of our images based on their luminance. I’ve spoken about luminosity masks with some frequency before, so hopefully you’re fairly familiar with them by now. The last method I’ll be covering today is Luminosity masks. Method 3 To Remove Background In Photoshop I could have used the magic wand for the can itself but it would have struggled to select all the intricate areas of the label, the second ‘L’ of ‘Bull’, for example, would have been an issue due to its tone. In the photo above, I used the Pen tool, as well as many other methods, to make selections of every aspect of the can from the logo to the lettering. Use the Pen Tool to do that part and apply that to your mask. Say, for instance, the Magic Wand was almost good enough but couldn’t quite figure out one area. There are many many instances where the Magic Wand simply cannot make a decent selection, or you may find that the Pen tool comes in handy to further refine a selection you’ve already made. I’ve tracked down an excellent video from the guys over at Phlearn which will show you exactly how the Pen tool works.Īs you can see, the pen tool seems complicated but really isn’t, and worth the learning curve. But why use the Pen tool if the Magic Wand and Refine Edge will work? The simple answer is that they won’t always do a good job. It’s something that requires practice but once you master it, it will become an indispensable tool. The Pen tool was not always one of my favorites, in fact, I regularly did all I could to avoid using it. The second method to remove our subject from the background utilizes one of my favorite tools in Photoshop: the Pen tool. Method 2 To Remove Background In Photoshop The possibilities are only limited by your imagination, though it is important to note that if you wish to place someone into another scene altogether, special attention MUST be paid to things like direction of light, color temperature, and intensity of shadows. Having made various passes with Refine Edge, I fairly quickly arrived at the result you see above. Now, I could have placed this subject on an entirely different background, an outdoors scene for instance, or a composite I’m working on, and so on. I rarely apply my adjustments directly to the original layer mask as I like to paint them on afterwards and control where those adjustments will appear. I usually paint over the area I want to adjust (see image above), make my adjustments, and then export that to either a “new layer with mask” if using decontaminate color (other options are greyed out), or Output To > Selection and paint on the adjustments I have made to the original layer mask.
Not every edge is the same and hence we shouldn’t treat them as such. I often find that an image will require a few rounds of Refine Edge.
The Output To drop-down menu allows you to select whether your adjustments are applied directly to the selection / layer mask or are copied to a new layer etc. As you can imagine, removing white can become a little problematic if there are bright tones already present on your subject. That may be green if your image was shot on green screen, or, as is the case here, white.
Decontaminate Colors will attempt to remove what Photoshop deems to be a color bleeding from the background. If you had a very soft edge and set contrast all the way up it would become hard.Īt the bottom of the dialog we have the Output options which include Decontaminate Colors. Contrast, on the other hand, may seem a little less obvious but is in fact just as simple as all it does is sharpen your edge. The results of Smooth, Feather and Shift Edge are self-explanatory. Adjust Edge is a quick and easy way to manipulate your selection and most options will probably sound pretty familiar to you. Within this dialog you’re presented with many options, and the Edge Detection options are excellent for selecting hair. Having made a rough selection with the magic wand (it doesn’t need to be perfect) we head over to the Refine Edge / Mask dialog. There are, of course, many other methods which would also work. In this example, I used the magic wand tool. To do so we first need to create a rough selection. The image below was shot on a pure white background, but we’re going to remove and replace it. Refine edge is not so much a method as it is a step, but it’s an extremely important one which can be used in all sorts of selections. Method 1 To Remove Background In Photoshop
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